Sathi

Move with slow .

h=hold

e----------8~h----12~------------------------10-----8~--
B---8h---------------------10-----10---12---------------
G----------------------------------------------------------
D----------------------------------------------------------
A---------------------------------------------------------
E----------------------------------------------------------

++ here begins the complete songs n' their respective lyrics. This song is very best of listening and playing guitar tooooooooo .......... so get enjoy.

++I've very best tried to find the original chords and lead part. if any correction is needed then plz. mail me at kchasatthi@yahoo.com . thank you.

{0:28}
C
te mitha pal haru
G
te mitha din haru
F C ++
yaad airahancha sadhai
C
garmima sitatlta
G
sisirma nyanopan
F C
sath diyau timile sadhai ++

++ the perfect lead part

e--7~----10-8-7~---8~-7--5~----7--5---------
B-----------------------------------------8--5--
G----------------------------------------------- ++ Play 2 times +
D-----------------------------------------------
A-----------------------------------------------
E------------------------------------------------
++

Am
(bhanne le j bhanos
G
sunne le j sunos
F C
tara timi mero ho sa....thi)*2
G C
sath dinchu timilai ma sadhai bhari++ lead part which is incomplete........

e-----8---10-8---12-8--10-8------8--10-8--13-12--10-8--7---------
B--8-----------------------------8----------------------------------
G-------------------------------------------------------------------
D------------------------------------------------------------------
A------------------------------------------------------------------
E------------------------------------------------------------------

++
dukha ma sangai royau

sukha ma sangai hasyau

sahara mutu diyau

(jaha janu gayeni

j garnu gare ni

sadhai rahanachau mero sa....thi)*2
G
sath dinchu timilai ma sadhai bhari

(bhanne le j bhanos

sunne le j sunos

tara timi mero ho sa....thi)*2
G
sath dinchu timilai ma sadhai bhari

+++++++++++++++++++++++++++++++++++++===



chors of uglyz song

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Chahanna Ma


I've found the chords start from Am, F Am, F, C, G ... think its right and nice to play it...

++
Am F
kadha jhai bijaune timro maya chahindaina
Am F
bidh ma haraune timro maya chahindaina
Am F C G
chahanna ma timro saath chodi deu mero hath
Am F C
chahanna ma chahanna ma chahanna ma
++

Am F C G
(tita yad birsai bitaune chu ma yo mero aklo jeevan
Am F C G
hasi khusi ramai bitaune chu ma yo mero aklo jeevan)

++

jindagi yo bagi jane khola sari
sansarma ma afailai nai ma khojula
chahanna ma timro saath chodi deu mero hath
chahanna ma chahanna ma chahanna ma

(tita yad birsai bitaune chu ma yo mero aklo jeevan
hasi khusi ramai bitaune chu ma yo mero aklo jeevan)
++

Lyrics of popylar songs of The Uglyz

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The Uglyz - Aaundai Jaandai lyrics

Timro nayno aangalo ko maya, Sandhai rahi rahos
Timro jivan, sandhai sandhai bhari, phali phuli rahos
Timro nayno aangalo ko maya, Sandhai rahi rahos
Timro jivan, sandhai sandhai bhari, phali phuli rahos

Maan ta chaaaina, timi bata tadha huna,Bivasta aatnautho
Timro mero bich dherai kura chha, Nikai nai aafthero
Aaundai jaandai garnu yo jivan ma
Kata tada na hos timi
Jivana ka dherai mod-a haru ma, nabirsi dunu bhani
Aaundai jaandai garnu yo jivan ma
Kata tada na hos timi
Jivana ka dherai mod-a haru ma, nabirsi dunu bhani

Aaundai jaandai garnu yo jivan ma
Kata tada na hos timi
Jivana ka dherai mod-a haru ma, nabirsi dunu bhani
Aaundai jaandai garnu yo jivan ma
Kata tada na hos timi
Jivana ka dherai mod-a haru ma, nabirsi dunu bhani



The Uglyz - Maya lyrics

Maya jokhera jokhna sakinna, kasari bhanu kati maya garchhu
Rujha dubi timi mero maya ma, jati dubyou uti dherai maya
Maya basayera basiainna, maya nikalera nikalinna
Birsana khojchhu timilai jati ma, yaada tirmo aaunchha jati

Sandhai samjhinchhu timlai sapanima, khoji hindne garchhu bipanima
Hoina eka din ko maya yo, maya ho juni juni ko
Maya basayera basiainna, maya nikalera nikalinna
Birsana khojchhu timilai jati ma, yaada tirmo aaunchha jati

Samhalanu kasari maa afulai, rojoun kasari taraharu lai
Chhekun kasari ma aakaashlai, rujhaun kasari yo mero maan lai….

Maya basayera basiainna, maya nikalera nikalinna
Birsana khojchhu timilai jati ma, yaada tirmo aaunchha jati
Yaada tirmo aaunchha jati - 4

Profile 1974 AD

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Adrain Pradhan
Adrian played with the band in 1994 for a very short time, right after he landed from Kalimpong but he became a permanent member of the band in 1998. Adrian is a vocalist, he plays harp and drums, he is a composer and sometimes writes lyrics. His musical journey started from his school days where he learned music.

He has released his solo album called 'Aaja' as an extra project apart from the band. Adrian doesn't talk much but when does it's full of humour. Born on August 18 (Leo) Adrian has travelled to Hong Kong, India, Qatar, UK, Australia, Germany and USA on musical ventures.

Interested in: to be with nature, watching movies & hiking

Musical inspiration: friends and school teachers

Phiroj Shyangden
Phiroj Shyangden is a founding member of 1974AD. He has been continuously serving the band as a vocalist, guitarist, composer and lyricist since 1994. Born on April 24 (Aries), Phiroj took guitar classes from an early age from the legendry Jeewan Pradhan in Darjeeling. Phiroj is a key guitar instructor at Gyanodaya School & Musical Spectrum, Pulchowk. He is rather homely and spends most of his time with his guitar, family and students. He is quite humorous and down to earth as well. He has travelled to Hong Kong, India, Qatar, UK, Australia, Germany and USA on musical ventures.
Interested in: riding and modifying bikes, making guitars, knowing names of old cars and travelling
Musical inspiration: friends and family and Dire Straits

Sanjay Sherstha
While still studying, Sanjay recorded 3 albums with his first band Shristi, which brought 'fusion' music to the mainstream audience in Nepal. Sanjay toured America twice with Shristi before joining 1974AD in 1999. With 1974AD Sanjay has recorded 3 albums and toured America, United Kingdom, Asia, India, Qatar, Australia, Germany and Belgium. In addition to his busy touring schedule Sanjay has performed and recorded with many high profile national and international musicians including, renowned Buddhist nun and vocalist Ani Choyang Dolma, bamboo flutist Manose Singh, Grammy award winning bluegrass singer Peter Rowan, British folk singer Donovan Leech, Max Lolo from West Africa, Jesse Van Ruller from the Netherlands, Sunny Jain Collective, New York and Richard Hardy, the saxophone player for Carol King and the Dave Matthews Band and Sachal Vasandani, Jazz Vocalist from New York.

While Sanjay's first instrument was the Nepali folk instrument/hand drum the maadal, his experience has led him to experiment with fusion, rock, classical and now jazz in various side projects including The McTwisters (led by Berkley trained Czech saxophonist Peter Kroutil), Stupa (with band member Nirakar who play regularly at Moksh) and Project Experience (with Robin Tamang, Nirakar, Kutumba and various other renowned musicians).

Diccography

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Rush (1st Album)
Songs in Album

Aaudai Jaadai
Maya
Parkhai
Saathi
Chahanna Ma
To An Angel
Uglyz
Khonnanimo






AAUDAI JAADAI
It was initially written by Miya Arai in Japanese.

Sarun had paid a visit to Jems Pradhan at his studio called Musicwork in order to meet him and talk about a song that Jems had composed. Sarun ended up playing unplugged in front of Jems on his request, who asked him if he had any original compositions. Sarun told Jems that he had a song, but it was in Japanese. Jems asked him to sing it, following which he articulated, “We will create a Nepali song on this tune.” Keeping his word, Jems wrote the lyrics for the song, which took 3 months to be completed.

MAYA
While Sarun and Sudip were waiting for their turn at Musicwork to record Aaudai Jaadai, they came up with a catch riff, which was later to become “Maya”, the 2nd track of their album. They had the tuneful riff but then no lyrics. On asking Reshna Shakya, (poet, Sarun’s cousin sister) if she had any poems, she provided him two, one of which was “Maya”.

PARKHAI
Sarun, Sudip and Rockin were jamming at Rockin’s place. Sarun was on the drums and playing whatever came on his head. Suddenly, he arrived with a catchy beat with some mix of trance and punk rock. Later, Sarun penned down the lyrics regarding long distance relationship. According to him, Parkhai was the first ever Nepali song that he wrote.

SATHI (SAATH DINCHU)
Sarun, Sudip and Zeevat were doing an overnight stay at Zeevat’s place. They had few drinks and were singing the whole night. All of a sudden, Sudip suggested writing a song and came up with the idea to write a song about friendship (Sathi = friend). Sarun sat on the piano and started playing an old tune he had composed back in 2002. Zeevat began to write the lyrics beginning… “Ti mitha pal haru… Ti mitha din haru... Yaad aai rahanchan sadhai, Garmi ma shital ta shishir ma nyano pan, saath diyou timile sadhai.” Then, for a few hours, they took videos cherishing their friendship, tried to make the song perfect and then went off to bed.

The next day, Sarun tried to finish off the song, but in vain. He was searching for something to write, when out of nowhere, he saw his dog looking up at him. An idea crept up in him to write the rest of the chorus dedicating to his dog (Priti) – after all, a dog is a man’s best friend too. It went like “Bhanne le j bhanos, sunne le j sunos, tara timi mero hou sathi… sath dinchu timilai ma sadhai bhari.”

Later the boys sat together and completed the song. This song has a special meaning to their friendship and has an elite place in their hearts, especially when they are overseas.

CHAHANNA MA
Chahanna ma was the last track that the boys had made. Sarun first came across “Silly Fools” when he had gone to visit Bangkok. He had bought their CD and had always wanted to do a cover song of Silly Fools. Thus, “Chahanna Ma” was born. Reshna and Sarun wrote the lyrics for this one. During the recording phase of Chahanna Ma, Sarun was suffering from kidney stone. He was singing one of the vocals, when had to be rushed to the hospital and put on emergency.

TO AN ANGEL
It was the first song that Sarun had written in 1999. It took him several years to finish the composition. He began the writing process of this song in a friend’s shop at Freak Street, Kathmandu and finished it in Sydney.

UGLY
This not-at-all-ugly song was written by Sarun in Sydney. He testifies that he wrote this at work out of frustration when he failed in a subject during his Bachelor’s degree.

KHONNANIMO
It was written by Miya Arai in Sydney. Sarun and Miya first met each other in college and became friends from then on. She discovered Sarun’s inclination towards music and often heard him sing and strum some of his compositions on his guitar. When requested, she wrote the lyrics for one of Sarun’s tunes which apparently became Khonnanimo and later, as all of us know, Aaudai Jaadai.